Thousand Words
When hashing out a story’s structure, the first two ‘tentpoles’ to look for are the inciting incident and the Dark Point — i.e. when the protagonist is given a chance to change, and when she fails in the attempt.
(via screenwritingtips)
Orson Welles (via pen-monkey)
and a bank.
If you’re writing a drama script, there needs to be personal conflict at every corner.
If you’re writing a comedy script, there needs to be hilarity at every corner.
If you’re writing a mystery script, there needs to be questions at every corner.
If you’re writing a mind-bender script, there…
Truly true truth….
“One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a…
If you are a director, writer, producer… interested in any of the above… please take a minute and read this.
If nothing else - you have your perspective and take on something. That is what you bring to the table. Don’t apologize for it.
